Yashpal is one of the most powerful progressive writers of modern Hindi literature, and this chapter from Kshitij Bhag 2 presents his celebrated story लखनवी अंदाज़ (Lakhnavi Andaaz, "The Lucknowi Style"). Unlike the heavy social dramas for which Yashpal is famous, this story is light, witty, and satirical — yet beneath its laughter it carries a sharp observation of human nature and social change. The story captures the famous refinement of Lucknow's culture, the courteous, ornate way of speaking known as tahzeeb, and sets it against the practical, struggling world of the narrator.
The narrator, a man from Punjab, comes to Lucknow looking for a room to live in. He meets the owner of a house, a true Lucknowi gentleman, and their conversation becomes a comedy of manners. The owner speaks in a style so polite, roundabout, and ornamental that he almost never comes to the point, while the practical narrator waits impatiently for a simple answer. For a Class 10 student, लखनवी अंदाज़ is an introduction to the art of irony and humour in Hindi prose, and a gentle warning that polished manners may hide a crumbling reality.
Yashpal was born in 1903 at Firozpur in Punjab. As a young man he was swept into the revolutionary movement for freedom, joined the Hindustan Socialist Republican Association, and was imprisoned for several years for his part in the struggle. These years shaped his writing, giving it a strong social and political conscience. After independence he devoted himself fully to literature and became one of the leading novelists and story writers of the progressive school.
Yashpal's major novels include झूठा सच (Jhootha Sach), his great two-part saga of Partition and its human tragedy, दादा कमरेड, दिव्या, अमिता, and अप्सरा का शाप. His short stories, collected in volumes such as उत्थान and भस्मावृत्ति, show his range from biting social criticism to subtle humour, which is exactly the range visible in लखनवी अंदाज़. Yashpal died in 1976. His work remains important because he never stopped questioning society — whether it was the cruelty of revolution, the tragedy of Partition, or the polished pretence of a refined city.
The story opens with the narrator arriving in Lucknow in search of a room. He hears of a house where rooms are available, and he goes to meet the owner. From the very first exchange, the reader is plunged into the famous Lucknowi way of speaking. The owner greets him with elaborate courtesy, calls him honoured guest, and begins to speak in long, flowery sentences full of poetic similes, digressions on Lucknow's glories, and graceful little witticisms. Every simple question is answered with a cascade of politeness.
The humour of the story grows from the gap between this grand manner and the modest reality. The narrator, a practical man who wants a direct answer about rent and rooms, must wade through the owner's ornamental speech. We slowly learn that the grand style is a mask: the house is old, the owner is in financial difficulty, and the famous tahzeeb is partly a way of hiding poverty behind politeness. The story reaches its point in this contrast — the Lucknowi andaaz is delightful, but it can also be a smoke-screen for decay. By the end, the reader smiles at the courtesy and, at the same time, understands the deeper irony Yashpal wishes to show: manners can be beautiful, yet they are no substitute for truth and honest dealing.
The Narrator: A practical man from Punjab, new to Lucknow, who wants clear answers. His commonsense outlook highlights the strangeness of the Lucknowi manner.
The House Owner: A polished Lucknowi gentleman who speaks in ornate, courteous, roundabout language. He represents the tahzeeb of Lucknow and, beneath it, a struggling reality.
The City of Lucknow: Almost a character itself; its culture, poetry, wit, and manners shape everything that happens.
The central theme of लखनवी अंदाज़ is the contrast between refined manners and actual reality. Yashpal celebrates the charm of Lucknowi courtesy while gently satirising its excess: speech so polite that it hides the truth, and elegance that conceals decay. The message is that genuine culture must be joined with honesty — beauty of manner is precious, but it must not become a screen for poverty, laziness, or pretence. For the reader, the story also teaches us to look beneath surface manners and to value both courtesy and truthfulness in our dealings with others.
Yashpal writes in a humorous, satirical narrative style. His chief device is irony: the grand language of the owner is set against the shabby reality, and the reader laughs at the difference. He uses exaggeration (अतिशयोक्ति) to heighten the comic effect of the ornate speech, and the dialogue carries much of the story's charm, reproducing the flourishes of Lucknowi Hindi and Urdu. The story also employs contrast as a structural principle — the practical Punjabis versus the poetic Lucknowis, the beautiful words versus the broken house. The dominant रस is hasya (humour), tinged with a subtle satire of social pretence.
| Aspect | Detail |
|---|---|
| Birth / Death | 1903, Firozpur (Punjab) / 1976 |
| Movement | Progressive writers; revolutionary freedom fighter |
| Imprisonment | In prison for revolutionary activities |
| Major novels | Jhootha Sach, Dad Kamred, Divya, Amita |
| Story collections | Utthan, Bhasmavritti |
| Story in this book | Lakhnavi Andaaz |
| Style | Sharp social criticism and subtle humour |
| Point | The Narrator | The House Owner |
|---|---|---|
| Origin | Punjab | Lucknow |
| Speech | Direct, practical | Ornate, roundabout, courteous |
| Goal | To get a room quickly | To display polite grandeur |
| Attitude | Wants clear answers | Hides reality behind words |
| Role in story | Exposes the irony | Embodies the tahzeeb |
लखनवी अंदाज़ is a sparkling example of Hindi satire that delights while it instructs. Through the meeting of a practical Punjabi narrator and a courtly Lucknowi house owner, Yashpal shows the charm of refined manners and the danger of letting that charm conceal reality. The story teaches us to enjoy courtesy but never to confuse beautiful words with honest truth. For examinations, mastering the contrast between the two characters, the use of irony, and the satirical message will let you answer the chapter with clarity and humour of your own.