This lesson is a short and witty story-poem taken from the famous collection of stories called पञ्चतन्त्र (Panchatantra), written by the great scholar विष्णुशर्मा (Vishnusharma). The story belongs to the third section (तन्त्र) of the book known as काकोलूकीयम्. The Panchatantra is divided into five tantras, or books: मित्रभेद, मित्रसम्प्राप्ति, काकोलूकीय, लब्धप्रणाश and अपरीक्षितकारक. Its characters are mostly clever animals, and each story carries a deep moral lesson about intelligence, friendship and life. The title बिलस्य वाणी न कदापि मे श्रुता means "I have never heard the voice of the cave (hole)." The story shows how the clever jackal दधिपुच्छ (Dadhipuchchha) escapes from a hungry lion named खरनखर (Kharankhara) by using his sharp intelligence. The lesson teaches that a person who thinks about the future and acts wisely is honoured, while one who ignores danger suffers.
A lion named खरनखर lived in a forest. One day, while wandering here and there, he felt very hungry and could not find any food. At sunset he saw a large cave (गुहा). He thought to himself, "Surely some creature comes to this cave at night. So I will hide here and wait." He entered the cave and hid himself.
Meanwhile, the owner of the cave, a jackal named दधिपुच्छ, came back. As he looked, he saw the footprints (पदपद्धतिः) of the lion going into the cave but none coming out. He became afraid and thought, "Alas! I am ruined. A lion is surely in this cave. What should I do?" Thinking for a while, he spoke to the cave from a distance as if talking to a friend. He said, "O cave! O cave! Do you not remember our agreement that whenever I return from outside you will call me? If you do not call me today, I will go to another cave."
Hearing this, the lion thought, "Surely this cave always calls its master, but it is silent out of fear of me. Therefore I should call him, and when he enters the cave he will become my food." With this idea, the lion roared loudly. The loud roar echoed through the cave with a terrible sound. The jackal, who was standing at a safe distance, understood everything. He fled far away, reciting the following verse: "One who thinks about the future (danger) is praiseworthy; one who does not think about the future is mourned. In this forest old age has come upon me, and I have never heard the voice of the cave."
भयसन्त्रस्तमनसां हस्तपादादिकाः क्रियाः। प्रवर्तन्ते न वाणी च वेपथुश्चाधिको भवेत्॥
English meaning: The hands, feet and other actions of people whose minds are terrified by fear do not function properly, their speech also does not come out and trembling (वेपथुः) becomes excessive. This verse describes how fear destroys the ability to act and speak.
अनागतं यः कुरुते स शोभते, स शोच्यते यो न करोत्यनागतम्। वनेऽत्र संस्थस्य समागता जरा, बिलस्य वाणी न कदापि मे श्रुता॥
English meaning: One who anticipates the future (danger) shines; one who does not anticipate the future suffers grief. The jackal says, "Living in this forest, old age has come upon me, yet never have I heard the voice of my cave." This means that the clever jackal had always taken care of the future and had never been trapped.
| Sanskrit Word | English Meaning |
|---|---|
| प्रतिवसति | dwells |
| कदाचित् | sometimes, once |
| इतस्ततः | here and there |
| क्षुधार्तः | distressed by hunger |
| गुहा | cave |
| निगूढः | hidden |
| शृगालः | jackal |
| पदपद्धतिः | line of footprints |
| तर्कयामि | I think, I guess |
| विचिन्त्य | having thought |
| रवम् | sound, roar |
| समयः | agreement, condition |
| आकारयिष्यसि | you will call |
| मद्भयात् | out of fear of me |
| सहसा | suddenly |
| प्रतिध्वनिः | echo |
| पलायमानः | fleeing |
| अनागतम् | that which has not yet come (the future) |
| शोच्यते | is mourned |
| जरा | old age |
This chapter is very rich in अव्यय (words whose form never changes). Some examples from the lesson: कदाचित् (once), इतस्ततः (here and there), नूनम् (surely), अपि (also), तर्हि (then), अत्र (here), एव (indeed), बहिः (outside), अहो (alas), एवम् (thus), सह (with), तदा (then), यदि (if), सहसा (suddenly), कदापि (at any time), परन्तु (but). These words are known as अव्यय because they never change their form regardless of gender, number or case.
The lesson gives many examples of sandhi (joining of letters): - कस्मिंश्चित् = कस्मिन् + चित् - क्षुधार्तः = क्षुधा + आर्तः - किञ्चिदपि = किम् + चित् + अपि - सूर्यास्तः = सूर्य + अस्तः - कोऽपि = कः + अपि - अत्रैव = अत्र + एव - परन्तु = परम् + तु - मद्भयात् = मत् + भयात् - शृगालोऽपि = शृगालः + अपि - कदापि = कदा + अपि
Words ending in -क्त्वा show "having done" something: दृष्ट्वा (having seen), विचिन्त्य (having thought), श्रुत्वा (having heard), भूत्वा (having become), प्रविश्य (having entered). These are widely used in stories.
| Character | Identity | Role |
|---|---|---|
| खरनखरः | Lion | Hides in the cave to catch prey |
| दधिपुच्छः | Jackal | Owner of the cave; clever and alert |
| गुहा / बिलम् | Cave | Setting; symbol of the trap |
| Step | Event |
|---|---|
| 1 | खरनखर, hungry, finds a cave at sunset and hides |
| 2 | दधिपुच्छ returns and sees lion's footprints going in, not coming out |
| 3 | He pretends to talk to the cave about an old agreement |
| 4 | The lion roars to call the jackal; the cave echoes |
| 5 | The jackal flees, reciting the moral verse |
बिलस्य वाणी न कदापि मे श्रुता is a delightful story that proves that physical strength is useless against cleverness. The lion, though mighty, is defeated by the intelligence of the small jackal. The lesson from the Panchatantra, written by विष्णुशर्मा, teaches us to observe carefully, think before acting, and plan for the future. Grammar-wise, the chapter introduces us to अव्यय words, the sandhi system and the क्त्वा participle, all of which are essential for reading Sanskrit stories. The most important message of the chapter is hidden in the final verse: "अनागतं यः कुरुते स शोभते" - the person who prepares for the future shines in life.