"Kis Tarah Aakhirkar Main Hindi Mein Aaya" (How, in the End, I Came to Hindi) is a deeply personal autobiographical essay written by Shamsher Bahadur Singh, one of the most distinguished modern Hindi poets. The lesson is part of the Kshitij Bhag 1 textbook of NCERT Class 9 Hindi. In this essay, the poet tells the fascinating story of how he, born and raised in a family steeped in Urdu and Persian culture, and who first wrote poetry in Urdu, gradually and finally turned to Hindi as the language of his creative expression.
The essay is a journey of the soul. Shamsher Bahadur Singh writes with great honesty about his childhood, when the poetry of Urdu and the grandeur of Persian culture filled his home and his imagination. He recalls how he began writing verses in Urdu and how that language felt natural to him. Yet, through the influence of teachers, the reading of Hindi poets, and his own deepening understanding of society, he slowly realised that Hindi was his true mother tongue and the language through which he could best reach the people.
For students, this essay is precious on many levels. It shows that language is not just a means of speaking but a part of identity, history and emotion. It introduces the idea that great art is written in the language of the people. It also gives a rare glimpse into the cultural world of a great poet, showing how family, teachers, books and society together shape a writer's destiny. The essay is a wonderful example of autobiographical writing in Hindi.
Shamsher Bahadur Singh (1911-1993) was a major modern Hindi poet, born in Lucknow in a family with a rich cultural heritage of Urdu and Persian learning. He was deeply influenced by both the romantic Chhayavad movement and the progressive movement in Hindi literature. His famous poetry collections include "Kuchh Kavitaen", "Kuchh Aur Kavitaen", "Chuka Bhi Nahin Hun Main" and "Itne Mein". Shamsher's poetry is known for its depth, its use of everyday language and its sensitivity to human emotion. Along with being a poet, he was also a fine essayist and translator, and he served in institutions like the National Book Trust. This essay, taken from his autobiographical writings, explains the cultural journey that made him a Hindi poet.
The essay opens with the poet describing the world of his childhood and youth, which was dominated by the Urdu and Persian culture of his family. Urdu poetry was recited and loved in his home, Persian books filled his family's shelves, and the ghazals of great Urdu poets were the music of his soul. Naturally, when young Shamsher began to write, he wrote in Urdu. His early verses were in Urdu, and he imagined his future as an Urdu poet. For him, this language was the natural home of poetry and refinement.
The turning point came during his student days at Allahabad University. There he came under the influence of teachers who opened his eyes to the wider world of language and literature. One professor, after reading his Urdu verses and listening to him, told him that his future lay in Hindi - the language of the common people of his own region. This advice struck Shamsher deeply. At the same time, he began reading the great Hindi poets, such as the romantics of the Chhayavad era, and he discovered that Hindi too could carry the highest poetry and the deepest feelings.
Gradually, the pull towards Hindi grew stronger. Shamsher understood that while Urdu was the language of a cultured class, Hindi was the language of the masses - the language of the people whose lives and hopes he wanted to express. He realised that a writer belongs not only to his family's traditions but to his people and his land. With this understanding, he made the decisive choice to write in Hindi. The essay ends with the poet's reflection on this journey - a journey from a heritage of Urdu to the embrace of Hindi, and his quiet conviction that in choosing Hindi he had found his true literary home.
The central theme of the essay is the choice of a literary language and the cultural journey behind it. Shamsher Bahadur Singh shows how his love for Urdu, inherited from his family, gradually gave way to a mature understanding that his true literary medium was Hindi, the language of the masses. The essay reveals that a writer's language is not fixed at birth but can be chosen through reflection, influence and a sense of social responsibility.
The message of the essay is about identity, belonging and the purpose of literature. The poet teaches that art should be rooted in the life of the people, and that a true writer chooses the language that best carries his message to the largest number of human beings. At the same time, the essay honours the rich Urdu and Persian heritage that first shaped the poet, showing that cultural growth means adding new worlds without erasing the old. For students, the essay is a reminder to respect all languages and traditions while understanding the power of one's mother tongue.
| Language | Role in the Poet's Life |
|---|---|
| Urdu | His family's cultural language; his first poetic voice |
| Persian | The classical heritage of his family |
| Hindi | His chosen medium; the language of the masses |
| Stage | Experience |
|---|---|
| Childhood | Urdu and Persian poetry fill his home |
| Early writing | He writes verses in Urdu |
| College days | A professor advises him towards Hindi |
| Reading Hindi poets | He discovers Hindi's poetic power |
| Final choice | He decides to write in Hindi |
"Kis Tarah Aakhirkar Main Hindi Mein Aaya" is a rare and moving account of a poet's journey to his true language. Shamsher Bahadur Singh's story - from the Urdu and Persian world of his family, through his early Urdu verses, to the guidance of a teacher and the discovery of Hindi's power - teaches us that a language is not merely a tool but a home for the soul. The essay shows that a writer's most important decision is to speak for the people in their own language. It is an inspiring lesson in identity, cultural heritage and the deep bond between a writer and his mother tongue.