"Premchand ke Fate Jute" (The Torn Shoes of Premchand) is a famous satirical essay written by Harishankar Parsai, the master of Hindi satire. It is part of the Kshitij Bhag 1 textbook of NCERT Class 9 Hindi. The essay begins from a real and touching fact: when the great writer Munshi Premchand died in 1936, newspapers reported that this giant of Hindi literature had died in torn shoes, so poor was he. Parsai takes this small detail and uses it as a sharp weapon to expose the hypocrisy of a society that honours its great men only after they are gone.
The essay is a wonderful example of how satire can make people think while making them smile. Parsai does not attack Premchand; on the contrary, he uses Premchand's torn shoes to attack society itself. He points out that while Premchand lived in poverty, struggling to make ends meet, nobody cared enough to help him. But the moment he died, the same society organised memorial meetings, erected statues, and showered him with honours. This gap between how we treat the living and how we glorify the dead is the real target of the essay.
For students, this lesson is valuable on many levels. It teaches them to think critically about society, to respect artists and writers while they are alive, and to understand the power of irony. It also gives them a glimpse into the life and struggles of Premchand, the greatest storyteller of Hindi. Through a pair of torn shoes, Parsai makes us examine our own values - a mark of truly great literature.
Harishankar Parsai (1924-1995) is regarded as the greatest satirist of Hindi literature. He worked as a teacher and wrote columns for newspapers, where his weekly satire became extremely popular. His collections include "Vyangya Ratnawali", "Jansanskriti ke Khandahar", "Ninda Ras", and "Thali Bhari Khabar Nahi". Parsai's satire is gentle in tone but sharp in meaning - he exposes the follies of politicians, bureaucrats, and common people alike without ever becoming abusive. His famous essay "Premchand ke Fate Jute" is considered a masterpiece of Hindi vyangya (satire), combining humour, irony and deep social criticism.
The essay opens with the well-known fact that when Premchand died on 8 October 1936, the news reports mentioned that the great writer had died wearing torn shoes. This single detail becomes the starting point of Parsai's meditation. He is not mocking Premchand but is struck by the irony of the situation - a man who gave India its greatest novels and stories died so poor that his shoes were torn, and nobody had bothered to give him a good pair.
Parsai then paints a picture of the society that honoured Premchand after his death. Big memorial meetings were held, people gave speeches praising him as a genius, funds were collected to build statues, and his books were declared immortal. But the satirist asks a sharp question: where were all these admirers when Premchand was alive and struggling? He reminds readers that during his lifetime Premchand had to work as a teacher, run a press, and face constant money problems. He suffered humiliation and hardship while the society that now worships him looked the other way.
The essay goes on to generalise this truth. This, Parsai suggests, is the fate not only of Premchand but of many great writers and artists of India. They live in poverty and neglect, and only after death do they receive statues, awards and celebrations. The "torn shoes" become a powerful symbol of this cruel irony - the nation's genius walks in torn shoes while his dead body is honoured with flowers. Through irony and dark humour, Parsai forces the reader to question the sincerity of a society that loves its great men only as monuments, not as living human beings.
The essay is not a story, but it presents:
The central theme of the essay is the hypocrisy of society in honouring its great artists only after death. Parsai exposes the cruel contrast between the poverty and neglect Premchand faced while alive and the flood of honours he received after death. The torn shoes stand as a symbol of this injustice - a reminder that the nation failed its greatest writer.
The message of the essay is a call to change this attitude. Society should respect and support its writers, artists and thinkers while they are alive, not merely build statues for them after they are gone. Parsai also honours the purity of Premchand's dedication - he kept writing great literature despite poverty, because he believed in his art. The lesson thus carries both a social criticism and a tribute to the selfless devotion of true artists, who give everything to their work without receiving their due.
| Aspect | In Premchand's Lifetime | After Premchand's Death |
|---|---|---|
| Shoes | Torn, poverty-stricken | Not his concern any more |
| Society | Ignored his struggles | Held memorial meetings |
| Honours | None | Statues, funds, praises |
| Attitude | Neglect and indifference | Widespread glorification |
| Symbol | Meaning |
|---|---|
| Torn shoes | The poverty and neglect of great artists |
| Memorial meetings | Society's posthumous, insincere honour |
| Statues | Glory given only after death |
| Premchand | The gifted artist sacrificed by society |
"Premchand ke Fate Jute" is a masterpiece of satire that turns a pair of torn shoes into a mirror held up to society. Through the moving story of the greatest Hindi novelist dying in poverty while the world honoured him only in death, Harishankar Parsai exposes the hypocrisy, neglect and insincerity of a society that remembers its artists as statues rather than as living people. The essay teaches students the power of irony, the value of critical thinking, and the moral duty to respect and support artists while they are alive. It remains as relevant today as when it was written - a timeless reminder that a nation's greatness is measured by how it treats its creators.