"Sanvale Sapnon ki Yaad" (The Memory of Dusky Dreams) is a beautifully lyrical prose piece written by Jaishankar Prasad, one of the four pillars of the Chhayavad movement in Hindi literature. The lesson is included in the Kshitij Bhag 1 textbook of NCERT Class 9 Hindi. In this work, Prasad looks back at his childhood in the holy city of Kashi (Varanasi) and pours out his memories of the river Ganga, the ghats, the lanes, the festivals and the spiritual atmosphere that shaped his imagination. The title itself is poetic - the memories are compared to "sanvale" (dark or dusky) dreams, like the twilight haze in which distant childhood recollections float.
Unlike a factual autobiography, this piece is closer to a reverie or a memory painting. The author does not give dates and events; instead he recreates moods and images - the cool morning breeze on the ghats, the golden light on the river, the sound of temple bells, the dark evening falling over the water. Through these images, Prasad shows how a city becomes a part of a person's soul, and how memory can bring back the fragrance of a whole world that has gone with time.
For students, this lesson is a wonderful introduction to the poetic prose of Chhayavad. It teaches them that literature need not only tell stories; it can also capture feelings and sensations. It also gives a glimpse of old Kashi - its devotion, its beauty and its living traditions - which remains one of the most loved cities of India. The piece invites readers to treasure their own memories of childhood and to see beauty in the ordinary moments of life.
Jaishankar Prasad (1889-1937) was one of the most important poets and writers of modern Hindi literature and a leading figure of the Chhayavad (romantic) era along with Sumitranandan Pant, Suryakant Tripathi 'Nirala' and Mahadevi Verma. Born in the village of SaraiGovar near Varanasi, he was a self-taught genius who never attended college yet mastered Hindi, Sanskrit, Persian and English. His most famous works include the epic poem "Kamayani", the play "Skandagupta", the historical play "Chandragupta", and many lyrical poems and prose pieces. His writings are marked by deep feeling, beautiful imagery and a spirit of romance and philosophy. "Sanvale Sapnon ki Yaad" reflects his love for his hometown, Kashi, and his gift for turning memory into art.
The lesson opens with the poet's heart turning back to the city of his childhood - Kashi, the ancient holy city on the banks of the Ganga. He remembers how, in his boyhood, the city appeared to him full of wonder. The broad river with its changing colours, the rows of ghats crowded with pilgrims and priests, the boats gliding on the water, and the distant golden roofs of temples filled his young eyes with enchantment. These were not just sights; they were experiences that became part of his inner world.
The poet recalls the special moods of the day on the Ganga. In the morning, the rising sun would paint the river with light while the sound of bells and the chanting of mantras rose from the temples. In the evening, the sky would turn soft and the water would grow dark and mysterious - it is this dusky, twilight beauty that gives the piece its title. He remembers the narrow, winding lanes of the bazaar, the shops, the smell of incense and sweets, and the simple, devout people for whom religion was a daily rhythm of life.
As he recollects, the poet realises that these childhood memories are like dreams - "sanvale" (dusky), soft, half-real. They fill him with a tender nostalgia, a longing for the innocence and wonder of childhood. He understands that the Kashi of his memory no longer exists exactly as it was, yet it lives forever in his heart. The lesson thus becomes a meditation on time, memory and the deep bond between a person and the city of their birth. It ends on a note of quiet beauty, with the poet cherishing the dusky dreams that still glow within him.
The lesson is not a story with characters, but it contains:
The central theme of "Sanvale Sapnon ki Yaad" is nostalgia - the sweet, poignant longing for childhood and for the world that has passed. Prasad shows how the places of our early years become woven into our identity. Kashi, with its river and temples, is not merely a background; it is the soul of the poet, and remembering it is a way of finding his own lost self.
The message of the lesson is the preciousness of memory and innocence. Childhood, the poet suggests, is a time when the world is seen with wonder and freshness, and those "dusky dreams" remain with us as a source of beauty and strength even in later life. The piece also celebrates Indian culture - the spirituality, the traditions and the simple beauty of a holy city - and invites readers to respect and preserve such living heritage. Above all, it teaches us to look within and to value the intangible riches of memory and feeling.
| Memory | Description |
|---|---|
| The Ganga | Broad river changing colours through the day |
| The ghats | Crowded with pilgrims, priests and boats |
| The temples | Golden roofs, bells and chanting |
| The lanes | Narrow bazaar streets with shops and incense |
| The people | Simple, devout residents of Kashi |
| The evenings | Dark, mysterious beauty of twilight water |
| Time | Atmosphere |
|---|---|
| Morning | Golden light, temple bells, mantras |
| Afternoon | Busy ghats, pilgrims and boats |
| Evening | Soft sky, dusky (sanvala) water |
| Night | Silence and mystery over the holy city |
"Sanvale Sapnon ki Yaad" is a gentle, beautiful meditation on childhood and memory by one of Hindi's greatest poets. In soft, dusky colours Jaishankar Prasad paints the Kashi of his boyhood - its holy river, its busy ghats, its ringing temples and its simple people - and shows how deeply a beloved place can become part of who we are. The piece reminds students that the world seen with a child's wonder never truly leaves us, and that the memories we carry are among our most precious possessions. It is a lesson in both literature and life, teaching us to love our roots, honour our traditions and cherish the poetry hidden in everyday moments.